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Set inside the monumental expanse of Lingotto Fiere, Turin's industrial cathedral of culture, the latest edition of C2C Festival reaffirmed its status as one of Europe's most forward-thinking platforms for radical sound, avant-pop experiments, and cutting-edge performance. For two intense nights, the venue morphed into a living organism — resonant, luminous, almost breathing — where music wasn't simply played, but inhabited.
On the audio side, Losito Music Service delivered a technical audio architecture that met the festival's uncompromising artistic ambition. The sound system was conceived and deployed with
Main L/R: 24 VIO L212
Sub array: 44 VIO S218 in end-fire configuration
Outfill (flown): 16 VIO L1610 (8 per side)
Outfill (ground): 8 VIO L208 (4 per side)
Frontfill: 10 VIO L208
Delays L/R: 16 L212 (8 per side)
This wasn't mere reinforcement; it was the construction of an acoustic landscape. The main arrays delivered commanding clarity and headroom; the flown and ground outfills extended the energy seamlessly across the hall; the frontfills ensured intimacy where proximity matters most; the delay towers preserved coherence deep into the space. Anchoring it all, the 44-cabinet end-fire sub array sculpted a low-frequency field that was muscular yet meticulously controlled - the kind of bass that doesn't just move air, but moves people.
Artistically, the festival showcased a lineup spanning future-facing electronic designers, boundary-pushing live acts, and visionary producers from across the globe - a true mosaic of 21st-century sound. Exclusive debuts, rare collaborations, and internationally acclaimed performers shaped a program that blurred the lines between club culture, concert experience, and contemporary art. The festival leaned into its identity with confidence: eclectic yet precise, disruptive yet exquisitely curated.
Under these conditions, the challenge for the audio teams was clear: capture the poetic detail of experimental performance while sustaining the physical force of large-scale electronic music. And the system rose to the occasion, delivering both nuance and impact. Flow and sounds were varied: shimmering textures, fractured rhythms, whispered vocals, and seismic drops, coexisting without compromise.
In the vast Lingotto Fiere, the setup wasn't meant to support the artistic vision but also to amplify it. Audience members weren't bystanders; they were immersed, enveloped, swept into a shared current. The result was a festival where sound became environment, and music became a full-body experience.
A standout edition and a benchmark for what contemporary live sound can achieve with an artistry vision.
